Juli­an Daw­sons

Bio­gra­phy

Juli­an Daw­son was born in Lon­don on 4 July 1954 – the day Elvis Pres­ley, tog­e­ther with Scot­ty and Bill, first play­ed That’s All Right at Sun Stu­di­os in Mem­phis – and the day food ratio­ning in Bri­tain came to an end after the Second World War.

He grew up in Kent as one of seven brot­hers and spent nine not always pro­duc­ti­ve years at two Catho­lic boar­ding schools – an edu­ca­ti­on that came to an abrupt end when he was expel­led short­ly befo­re his 17th bir­th­day. He then went on to stu­dy Fine Art and Print­ma­king at Exe­ter Col­lege of Art.

Through solo per­for­man­ces and an incre­asing­ly popu­lar art-school band, he soon rea­li­sed that sin­ging sui­ted him far bet­ter than pain­ting. He joi­n­ed his first pro­fes­sio­nal band with plans to per­form for Ame­ri­can ser­vice­men in Ger­ma­ny. Inspi­red by the exam­p­le of the Beat­les, he left Eng­land vir­tual­ly over­night to begin rehear­sals in Frank­furt. Howe­ver, when it beca­me clear that the­re was litt­le room for ori­gi­nal mate­ri­al on the US mili­ta­ry cir­cuit, Juli­an left the band to find out what Ger­ma­ny had to offer a solo artist. As soon as he could, he for­med a band of his own.

After retur­ning to Eng­land, he spent the next few years tou­ring with various line-ups throug­hout Euro­pe. In 1981, this led to his first album, the pub-rock-influen­ced Let Out The Pig, ori­gi­nal­ly recor­ded for the Bri­tish cult label Arma­ged­don Records. Label­ma­tes Kim­ber­ley Rew (gui­tar) and Andy Met­cal­fe (bass and key­boards) from the Soft Boys con­tri­bu­ted to the album, which was com­ple­ted at a Ham­burg stu­dio and released in 1982.

Rea­li­sing that the ener­gy spent kee­ping age­ing tour buses on the road might be bet­ter spent in making a breakth­rough album, Juli­an began working at Can Stu­dio near Colo­gne with bas­sist Rosko Gee (Traf­fic), Can drum­mer Jaki Lie­be­zeit, gui­ta­rist Jay Stap­ley and key­board play­er Hel­mut Zer­lett. Tog­e­ther with sin­ger Lyn­da Hayes, this line-up deve­lo­ped into the pro­ject “The Flood”.

Rough Trade released the 12-inch sin­gle “Cold Cold World”, fol­lo­wed by the high­ly acclai­med album As Real As Dis­ney­land on Poly­dor, who also released Luckiest Man In The Wes­tern World. Guest musi­ci­ans included Richard Thomp­son, P. P. Arnold and Toots Thie­lem­ans. Out­stan­ding inter­na­tio­nal reviews and “Album of the Month” awards in Ger­ma­ny hel­ped gene­ra­te gro­wing inte­rest in Juli­an Daw­son throug­hout Euro­pe.

Ame­ri­ca and the inter­na­tio­nal breakth­rough

Ame­ri­ca had always been a goal, and in 1990 his first US release appeared, the CD Live On The Radio, released by Water­me­lon Records in Aus­tin, Texas.

Regu­lar song­wri­ting trips to the United Sta­tes fol­lo­wed. After sig­ning with BMG/Ariola, Juli­an drew on his new­ly estab­lished cont­acts in Nash­ville to record the album Fra­gi­le As Chi­na in 1991, pro­du­ced by Gar­ry Tal­lent (E Street Band), with an impres­si­ve line-up of guest musi­ci­ans inclu­ding Vin­ce Gill, Bar­ry Beckett, Micha­el Hen­der­son, Jer­ry Dou­glas and Dr. Hook’s Den­nis Locor­rie­re.

The first sin­gle, “How Can I Sleep Wit­hout You”, went straight into the Ger­man charts, boos­ted by four months of tou­ring as spe­cial guest of BAP, at the time, Germany’s most popu­lar band.

With a new line-up fea­turing for­mer Rod­ney Cro­well musi­ci­ans Steu­art Smith and Vin­ce San­to­ro – both of whom had alre­a­dy play­ed on Fra­gi­le As Chi­na – Juli­an embark­ed on two high­ly suc­cessful Euro­pean tours, later docu­men­ted on the live CD June Honey­moon.

In the autumn of 1992, he retur­ned to the stu­dio with Gar­ry Tal­lent to record the fol­low-up album Head­lines. This time, his regu­lar band was joi­n­ed by a distin­gu­is­hed cast of guests inclu­ding Dua­ne Eddy, Jo-El Son­nier, Dan Penn, Bill Pay­ne (Litt­le Feat), Ste­ve For­bert and vocal group 14 Karat Soul. Fol­lo­wing the suc­cess of the a cap­pel­la sin­gle “Sun­day Into Satur­day Night”, Aris­ta released the album in the UK. Fur­ther tours fol­lo­wed.

In 1994, BMG brought tog­e­ther ten years of Julian’s best work for the com­pi­la­ti­on How Human Hearts Behave. Addi­tio­nal tracks were recor­ded in New York with pro­du­cer Ste­wart Ler­man, nota­b­ly a duet ver­si­on of “How Can I Sleep Wit­hout You” with Luc­in­da Wil­liams, as well as two tracks fea­turing the Roches. The coll­ec­tion was roun­ded out with sin­gles, live recor­dings and remi­xes. A simi­lar com­pi­la­ti­on was released in the United Sta­tes under the title Spark.

New recor­dings and Plain­song

By the spring of 1994, Juli­an had com­ple­ted a new coll­ec­tion of songs to be recor­ded at Dream­land Stu­di­os in Wood­stock, New York. His own out­stan­ding band took cent­re stage this time, but the album also fea­tured co-wri­tes and col­la­bo­ra­ti­ons with Nicky Hop­kins, Jules Shear and Wil­lie Nile. The Roches and Cur­tis Sti­gers con­tri­bu­ted vocals. “You’re Lis­tening Now”, writ­ten and recor­ded by Juli­an with Nicky Hop­kins, is regard­ed as one of the album’s high­lights..

Tra­vel On was released in Ger­ma­ny and North Ame­ri­ca in ear­ly 1995, fol­lo­wed by a UK release a year later.

Along­side his solo albums, Juli­an recor­ded five CDs with Iain Matthews’ Plain­song, a pro­ject in which all four mem­bers con­tri­bu­ted their own mate­ri­al. He later left the group to focus more clo­se­ly on his solo care­er. In 2012, howe­ver, the band reu­ni­ted for the “40th Anni­ver­sa­ry Fare­well Tour”, which even­tual­ly took them as far as Japan.

Pro­duc­tions and inter­na­tio­nal tours

In the sum­mer of 1996, Juli­an pro­du­ced The Lon­gest Train, coun­try legend Char­lie Louvin’s come­back album. The CD fea­tured new ver­si­ons of six Lou­vin Brot­hers clas­sics as well as three Juli­an Daw­son songs. A won­derful cast of Nash­ville guest musi­ci­ans and sin­gers also con­tri­bu­ted to the album.

During the fol­lo­wing years, Juli­an per­for­med both as a solo artist and with Plain­song throug­hout Euro­pe and North Ame­ri­ca. His tra­vels took him to Cana­da, the United Sta­tes, Hol­land, Ger­ma­ny, Aus­tria, Ita­ly, Den­mark, Swe­den and Switz­er­land. He also tou­red with Arlo Gut­hrie, Fair­port Con­ven­ti­on, Dolo­res Kea­ne, Al Ste­wart and Katy Moff­att.

Move Over Dar­ling and Under The Sun
In 1997, Juli­an retur­ned to New York to record the lar­ge­ly acou­stic album “Move Over Dar­ling”. It was pro­du­ced by Ste­wart Ler­man and Steu­art Smith, who by then had beco­me a per­ma­nent mem­ber of the Eagles. Richard Thomp­son, Dan Penn and the Roches also retur­ned as guest con­tri­bu­tors.
 
In 1999, “Under The Sun” was released, Julian’s first album to be recor­ded enti­re­ly in Eng­land. For the pro­ject, he retur­ned to his musi­cal roots, working with Kim­ber­ley Rew, Andy Met­cal­fe and Dani­el Tas­hi­an. His child­ren Robyn and Hol­ly pro­vi­ded harm­o­ny vocals, while legen­da­ry pia­nist John “Rab­bit” Bund­rick appeared as a guest musi­ci­an.
25 Years on Stage and Hill­bil­ly Zen

In 2001, Juli­an cele­bra­ted his 25th anni­ver­sa­ry as a per­forming artist with his most exten­si­ve con­cert sche­du­le to date. High­lights included appearan­ces at the Tøn­der Fes­ti­val in Den­mark and the pres­ti­gious New­port Folk Fes­ti­val in the United Sta­tes.

The live CD Colo­gne Again Or was also released that year, fea­turing strip­ped-down ver­si­ons of some of his favou­ri­te songs.

Juli­an spent the sum­mer in Cali­for­nia, whe­re he recor­ded the coun­try-influen­ced album Hill­bil­ly Zen with for­mer Byrds mem­ber Gene Par­sons, who play­ed almost all the instru­ments hims­elf. The album was released in Ger­ma­ny, the UK and the US in 2002, after which Juli­an and Gene tou­red tog­e­ther.

Per­so­nal chal­lenges and new pro­jects

Among the low points of that year were a dia­gno­sis of breast can­cer – yes, men can get it too – and the events of Sep­tem­ber 11, 2001. Juli­an was fly­ing that day and found hims­elf stran­ded in New­found­land along with 7,000 other air­line pas­sen­gers, and spent five nights slee­ping on the flo­or of a Sal­va­ti­on Army church in Gam­bo. He drew on the expe­ri­ence for his song “Wai­ting For A Pla­ne”, which beca­me a minor anthem in Cana­da.

In 2004, Bed­room Suite was released, an album fea­turing eight songs about love, rela­ti­onships and mar­ria­ge. It was made lar­ge­ly at his home in Somer­set, with con­tri­bu­ti­ons from fri­ends and fami­ly mem­bers, inclu­ding his daugh­ter Hol­ly, who sang a duet with dad. The album was sup­port­ed by more than 50 con­certs across Euro­pe.

Two years later, Juli­an recor­ded his first album of cover ver­si­ons, Not­hing Like A Dame, reinter­pre­ting fif­teen of his favou­ri­te songs, all ori­gi­nal­ly writ­ten or made famous by women. He was accom­pa­nied by gui­ta­rist Richard Ken­ne­dy, with Mar­tin Car­thy appearing as a guest musi­ci­an. The album cover also mark­ed the first appearance of what would beco­me his famous kilt in the Daw­son fami­ly tar­tan.

Deep Rain and my first book

In 2008, Juli­an work­ed with pro­du­cer and soul musi­ci­an Dan Penn on the album Deep Rain, recor­ded with a hand-picked group of Nash­ville musi­ci­ans at Penn’s own stu­dio. The resul­ting coll­ec­tion of songs is regard­ed by many as some of Julian’s finest work.

Fol­lo­wing the stu­dio ses­si­ons, Juli­an deci­ded to tour with a full band for the first time in years. One of the con­certs was cap­tu­red on the dou­ble CD/DVD Juli­an Daw­son & Band: Live, released in 2010.

Also in 2010, Juli­an published his first book: a lovin­g­ly rese­ar­ched bio­gra­phy of the extra­or­di­na­ry pia­nist Nicky Hop­kins, with whom he had pre­vious­ly work­ed on Tra­vel On. A Ger­man edi­ti­on was published by Ran­dom House under the title Nicky Hop­kins – Eine Rock Legen­de, fol­lo­wed later by Eng­lish-lan­guage edi­ti­ons in the UK and USA. The book recei­ved excel­lent reviews and was named one of the ten best books of the year by the music maga­zi­nes Uncut and Shin­dig.

Pro­du­cing Wolf­gang Nie­de­cken

In 2013, Juli­an was invi­ted by Ger­man rock legend Wolf­gang Nie­de­cken to pro­du­ce his first solo album. Working with his trus­ted team from the 1990s and guests inclu­ding Lar­ry Camp­bell and John Sebas­ti­an (Lovin’ Spoon­ful), they made the album Zosam­me Alt. To the sur­pri­se of many, it rea­ched No. 4 in the Ger­man charts.

The next Daw­son solo album was desi­gned to cap­tu­re the spi­rit of his live per­for­man­ces. Once again pro­du­ced by Dan Penn in Nash­ville, Living Good was recor­ded the tra­di­tio­nal way straight to ana­lo­gue tape. The album was released in 2015 and recei­ved excel­lent reviews.

The suc­cess of the first Nie­de­cken solo album led to ano­ther pro­duc­tion in the USA. The Fami­ly Album was recor­ded in New Orleans and fea­tured musi­ci­ans inclu­ding JJ John­son, Roscoe Beck and Steu­art Smith. Juli­an deli­bera­te­ly incor­po­ra­ted ele­ments of the city’s rich musi­cal heri­ta­ge, inclu­ding zyde­co accor­di­on (Dway­ne Dop­sie), New Orleans-style horns and cha­rac­te­ristic Cajun sounds.

Life And Soul and cur­rent pro­jects

Sin­ce many of his albums were no lon­ger available, Juli­an com­pi­led the exten­si­ve 3-CD box set Life And Soul Vol. I in 2013, brin­ging tog­e­ther per­so­nal favou­ri­tes, demos and rari­ties. In 2018 ano­ther coll­ec­tion of favou­ri­te tracks and rare recor­dings, Bar­gains Galo­re – Life And Soul Vol. II fol­lo­wed, this time inclu­ding his con­tri­bu­ti­ons to Plain­song.

Juli­an Dawson’s songs have been recor­ded by artists inclu­ding Rosie Flo­res, Char­lie Lou­vin, Rock Salt and Nails and Sean Kea­ne. He has also work­ed as a sin­ger or har­mo­ni­ca play­er with num­e­rous well-known musi­ci­ans, among them Ger­ry Raf­fer­ty, Litt­le Feat, Glen Til­brook, Del Ami­t­ri, Dan Penn, Iain Matthews, Richard Thomp­son – and even Ben­ny Hill!

In 2016, after rea­ding Julian’s Nicky Hop­kins bio­gra­phy, Spen­cer Davis, foun­der of the Spen­cer Davis Group, asked him to wri­te his book. Fol­lo­wing Davis’s death in 2020, the pro­ject was put on hold, but is at last expec­ted to be published in 2027.

Recent­ly, Juli­an ser­ved as a con­sul­tant on the docu­men­ta­ry The Ses­si­on Man, which explo­res the life and music of Nicky Hopkins.Dawson appears in the film along­side Keith Richards, Mick Jag­ger, Dave Davies and many others. It pre­mie­red to a sold-out audi­ence at London’s Bar­bican in 2023 and went on to win seve­ral awards.

Anni­ver­s­a­ries and Out­look

In July 2024, Juli­an Daw­son cele­bra­ted his 70th bir­th­day with the album Juli­an Daw­son / 4th of July, fea­turing an impres­si­ve line-up of guest artists, inclu­ding Vin­ce Gill, Steu­art Smith, Richard Thomp­son, Iain Matthews and Luc­in­da Wil­liams, as well as Ger­man fri­ends Wolf­gang Nie­de­cken, Hel­mut Zer­lett and Ste­fan Stop­pok.

In 2026-27, Juli­an will cele­bra­te his 50th anni­ver­sa­ry as a per­forming song­wri­ter and musi­ci­an. With a loy­al inter­na­tio­nal fan base, con­sis­t­ent­ly posi­ti­ve reviews and an undi­mi­nis­hed pas­si­on for music, he remains a distinc­ti­ve voice in rock, folk and coun­try music. He spends as much of his free time as pos­si­ble with his fami­ly – three child­ren and three grand­child­ren – or lis­tening to music, coll­ec­ting rare records, pain­ting, wal­king, wri­ting and enjoy­ing life.